Museum — China (Diorama). (Fuji Neopan 1600. Nikon F100. Noritsu Koki.)
This entry was posted on November 13, 2009 by iheartfilm. It was filed under Black and White, Fuji Neopan 1600, sculpture and was tagged with american museum of natural history, Black and White, diorama, film, Fuji Neopan 1600, museum, new york city, nikon f100, noritsu koki, photography, sculpture.
i’ve noticed you’ve been shooting this particular film a lot lately. any reason why you like it so much? it seems very pleasing to me (lots of contrast), but i was hoping to get your artistic point of view.
November 13, 2009 at 7:08 AM
For most things, Fuji Neopan 1600 works great – it’s sharp, has low-light sensitivity, and the contrast is very nice. At times it can have too much contrast, though. I just shot a lot of it in New York for convenience. It was nice to have such a versatile film handy.
November 15, 2009 at 12:48 AM
I am truly fascinated by grain, now. Thanks to you. It looks quite real, your photo.
November 13, 2009 at 2:06 PM
You know, as fast as this film is, the grain isn’t all that bad. When I first started shooting film, I wasn’t big on grain. Over time, especially as I shot more black and white, I learned to really love the texture of grain. There are definitely some films I shoot more than others because of the quality of their grain. One thing’s certain: Film grain is much more attractive than digital grain.
November 15, 2009 at 12:51 AM
I like the architecture and the grain … well done.
November 15, 2009 at 8:09 AM
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